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NRAMA: Can you give us any hints on upcoming issues?
RL: Sure. The second month’s slate will be Cyblade by indie-star Joshua Hale Fialkov and the inimitable Rick Mays and Velocity by the insanely prolific Joe Casey and a guy I literally had to beg to work with me, Kevin Maguire. All of these guys are new to Top Cow, and they’re bringing killer stuff to the table.
The Beguiling presents: Industry Night @ The Vic Celebrating the release of Elk's Run with artist Noel Tuazon, and Nick Cardy: Comic Strips, with editor Sean Menard Thursday, April 26th at 7PM The Victory Cafe, 581 Markham Street (Near West of Bathurst and South of Bloor) FREE Elk’s Run: Nominated for seven Harvey Awards, this groundbreaking series has finally been collected by New York publishing entity Random House/Villard.
The town of Elk's Run's fanatical survivalist founders have sealed it off from the rest of the world, transforming it into a twisted hybrid of Mayberry and the Branch Davidian compound. When a fatal accident leads to a revenge lynching and a series of murders, the town's teenagers try to escape only to have their own parents hunt them down. The ensuing cat-and-mouse game involves a mine fire, a stockpile of napalm and a rash of terrorist plans.
In cooperation with Random House of Canada, artist Noel Tuazon will be on hand to discuss the genesis of Elk’s Run via an audo/visual presentation, and sign copies of this wonderful new collection.
"Damn fine comic making"
Brian Michael Bendis
"Really, really good"
Nick Cardy: Comic Strips: Nick Cardy has been a dynamic artistic force within the comic book industry for over 60 years. Beginning in 1939 with the Eisner/Iger shop through a number of important newspaper strips, a 25 year association with DC Comics and an extensive stint in advertising (TV Guide), magazines (Crazy, National Lampoon) and numerous movie posters (Star Wars, The Bad News Bears), 85 year old Nick Cardy continues to delight his ever-growing legion of fans with a multitude of commissions and special projects to this day.
While his work at DC has been often lauded, Cardy’s short, but bright career in newspaper strips has received minimal attention.
Nick Cardy: Comic Strips reviews Cardy’s entire strip catalogue beginning with Lady Luck (1942) through Batman (1972) and includes an archive of previously unpublished artwork. Frecklebean Press editor/publisher Sean Menard has put together the definitive look at Cardy’s diverse newspaper strip work including his refreshing interpretation of Tarzan.
Come on our and support local Toronto comic authors, network with illustrators, artists, and more, and maybe even have a pint or two.
- Chris @ The Beguiling
More info: http://www.beguiling.com/
Just cause I'm single doesn't mean I'm desperate, y'know. Thanks, though. Whoever you are.
America Jr. :: Tiny U.S. Town Becomes Tiny Nation My good buddy (and Western Tales of Terror contributor) Todd Livingston is launching a new webcomic. It's live at midnight tonight, so go and read it. It's a blast.
"Dear Friend, I received your card this morning and will say that I’m not afraid of the quarantine. If you can come when you said on Sat. all right. E –" That was from an actual postcard, sent on March 16th, 1909 to a Mr. Elmer Reese of Leesburg, Pennsylvania. A moment of someone’s life captured in two sentences. It was purchased at the Georgetown Flea Market in Washington DC for fifty-cents, pulled from a dusty shoebox from a guy who had a table in a dirt field, next to some lady who was selling Beanie Babies for two-dollars, three for five. This story had to be told. It deserved better.
POSTCARDS will be a 168-page hardcover anthology available early 2007 from Eximious Press, a new publishing company founded by me, Jason Rodriguez, editor for ELK’S RUN and WESTERN TALES OF TERROR. It will feature 16 stories from some of the greatest talents in comics. Every team will be using mailed postcards from the early 1900s to tell a story about the people behind them – stories about romance and war and disease and faith. Stories about our lives – based on forgotten residuals.
And there’s room left, still. We’re gearing the submissions more towards the people just starting out – looking for new, refreshing voices in the world of comics to round out the book. The submissions process for the print version is currently laid out on the production blog – in the coming months we’ll start rolling out the submission guidelines for the supplemental web-edition content. Feel free to ask any questions, I’ll answer what I can.
Editor Extraordinaire Jason Rodriguez is out to change the world. The guy's got stones. I'm too busy trying to stop hemmoraghing money and get my book done to worry about fixing the world. Of course, J-Rod thinks this IS the way to save the book, so...Read it Here.
Woof. Today was "Take care of lingering shit" day. Got the H&B site nice and updated, just about squared away Elk's Run #5 to go to the printer, got a long awaited check, so that I could actually pay some bills, and got most of my invoicing for the week done. I even managed to finally get my writers portfolio squared away (for a last minute possible job.) I've got about four projects percolating, artists already in place on two, and then the other two are still being formulated. I spent a helluva long time prepping Ritual Homicide, and thanks to the whole "story of the book coming true" it was nixed. I'm dying to work with the artist, (the sensational Chris Burnham). My good buddy Gary and I have dueling Post-Apocalypse projects we're developing seperately, so I get to have fun "Well, when I get to blow up the world," conversations at least once a week.
Also, got my first look at the finished Dillinger, by James Patrick, which is in Previews next month, and which I edited. It turned out really nicely and I recommend you all give it an order. I'll post its order number when I get a chance.
Been giving a lot of thought to the realities of publishing lately. The fact is the comic industry is in shambles, despite some record sales for the big boys, things haven't looked much grimmer for us on the bottom in a long time. I'm in this strange place where the critical acclaim keeps on coming (although Randy Lander manages to actually match my sentiments on the first 3 issues of the book pretty well right here), but the book remains pretty much unchanged in terms of sales. The Bumper Edition seems to have been purchased almost exclusively by our fans who were already on board, and god damn to I love you guys for buying it.
Here's the thing, I can't think of any other medium that relies so heavily on its fans getting the word out. Comics... I mean, seriously, how many times have you been in a shop and some guy says, "You should check this out, its awesome," and bam. You're done. You try it, you love it. It all comes down to this Lion King-esque circle of life. If you love it, and want it to stick around, all you can do is shout from the treetops that you love it, and hope for the best.
Anyways, back to work.